Though race canât help but be a theme in âOthello,â it is not the main one here; Iagoâs hatred, and Othelloâs susceptibility to it, seem to stem less from each manâs response to outsiderness than from their common fear of cuckoldry. (Iago imagines that Othello has slept with his wife, Emilia, here a soldier in Desdemonaâs retinue, not just her maid.) In a superb performance, Gordon S. Miller (a ringer for Tony Hale of âVeepâ) gives us Iago as a hypercompetent desk jockey who turns, after hours, into a vicious, fake-news-spreading incel.